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Monday, June 4, 2012

The Watch: A Novel






Books Desc

Following a desperate night-long battle, a group of beleaguered soldiers in an isolated base in Kandahar are faced with a lone woman demanding the return of her brother’s body. Is she a spy, a black widow, a lunatic, or is she what she claims to be: a grieving young sister intent on burying her brother according to local rites? Single-minded in her mission, she refuses to move from her spot on the field in full view of every soldier in the stark outpost. Her presence quickly proves dangerous as the camp’s tense, claustrophobic atmosphere comes to a boil when the men begin arguing about what to do next.
Joydeep Roy-Bhattacharya’s heartbreaking and haunting novel, The Watch, takes a timeless tragedy and hurls it into present-day Afghanistan. Taking its cues from the Antigone myth, Roy-Bhattacharya brilliantly recreates the chaos, intensity, and immediacy of battle, and conveys the inevitable repercussions felt by the soldiers, their families, and by one sister. The result is a gripping tour through the reality of this very contemporary conflict, and our most powerful expression to date of the nature and futility of war. 


Editorial Reviews

Amazon.com Review
Amazon Best Books of the Month, June 2012: A legless woman approaches a military outpost in Afghanistan's Kandahar Province, ostensibly to retrieve the body of her brother, who has been killed in a firefight. Having survived that firefight, the soldiers inside the compound are wary and edgy. That's the setup to a taut and gritty story that unfolds amid the dust, shadows, and unease of one slice of the war in Afghanistan. Playing with the myth of Antigone, Joydeep Roy-Bhattacharya has crafted an eloquent and intimate look at the types of events still occurring on a daily basis. At the Tarsandan combat outpost, as the woman refuses to leave and questions mount about her true intentions, everything comes into question--what's right and wrong? why are we here? Barbaric, heartfelt, heartbreaking, and lyrical, this is a primal and beautiful work. And a page-turner to the very last page. --Neal Thompson
Review

“We watch as the resistance of an isolated American garrison in Afghanistan is ground down, not by force of arms but by the will of a single unarmed woman, holding inflexibly to an idea of what is just and right.”
—J.M. Coetzee

“A poignant and important book about one of the defining events of the start of the twenty-first century; it is devastatingly eloquent and unequivocal about the fact that there is no glory or beauty in war.”
—Fatima Bhutto
“Joydeep Roy-Bhattacharya’s lyrical and poignant evocation of war is a potent reminder of the murderous futility of our imperial adventures in the Middle East. He captures the raw brutality of industrial warfare, along with its trauma, senselessness, random death and stupidity. His characters, including the soldiers who prosecute the war and the innocents whose lives are maimed and destroyed by it, are consumed alike in the vast orgy of death that sweeps across war zones to extinguish all that is human—tenderness, compassion, understanding and finally love. He forces us to face the evil we do to others and to ourselves.”
—Chris Hedges, author of War Is A Force That Gives Us Meaning and Pulitzer Prize–winning reporter

“Merciless and beautiful both, like the Central Asian outpost carved out of sand and war in which it is set, The Watch is a meticulous, gut-wrenching analysis of how we perpetuate violence. It is a reminder that we all—participants and onlookers alike—are complicit in the barbarities of war. It is our responsibility as writers to speak of the cruelty that each of us is capable of: cruelty that in the far-flung desert reaches of the empire, away from public scrutiny, seems to multiply with the wind’s breath, like loess grains. Joydeep Roy-Bhattacharya fulfills his responsibility superbly.”
—Anna Badkhen, author of Peace Meal... --This text refers to the Kindle Edition edition.


Thanks. Have a Great Day!

Sunday, June 3, 2012

Gone Girl: A Novel


Gone Girl: A Novel - Check Reviews


Book Description


One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” Gone Girl’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn.
On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?
As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?
With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.

Amazon.com Review

Amazon Best Books of the Month, June 2012: On the day of their fifth wedding anniversary, Nick's wife Amy disappears. There are signs of struggle in the house and Nick quickly becomes the prime suspect. It doesn't help that Nick hasn't been completely honest with the police and, as Amy's case drags out for weeks, more and more vilifying evidence appears against him. Nick, however, maintains his innocence. Told from alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes chapter-to-chapter.

Calling Gone Girl a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy's points of view; in fact, the truth is far more dark, more twisted, and more creepy than you can imagine. Gone Girl is masterfully plotted from start to finish and the suspense doesn't waver for one page. It's one of those books you will feel the need to discuss immediately after finishing because the ending doesn't just come; it punches you in the gut. --Caley Anderson

Review
“Gone Girl is one of the best ­and most frightening ­portraits of psychopathy I've ever read. Nick and Amy manipulate each other ­with savage, merciless and often darkly witty dexterity. This is a wonderful and terrifying book about how the happy surface normality and the underlying darkness can become too closely interwoven to separate.”
–TANA FRENCH, New York Times bestselling author of Faithful Place and Into the Woods
“The plot has it all. I have no doubt that in a year’s time I’m going to be saying that this is my favorite novel of 2012. Brilliant.”
–KATE ATKINSON, New York Times bestselling author of Started Early, Took My Dog and Case Histories
“Gone Girl builds on the extraordinary achievements of Gillian Flynn's first two books and delivers the reader into the claustrophobic world of a failing marriage. We all know the story, right? Beautiful wife disappears; husband doesn't seem as distraught as he should be under the circumstances. But Flynn takes this sturdy trope of the 24-hour news cycle and turns it inside out, providing a devastating portrait of a marriage and a timely, cautionary tale about an age in which everyone's dreams seem to be imploding.”
–LAURA LIPPMAN, New York Times bestselling author of The Most Dangerous Thing and I’d Know You Anywhere
“Gillian Flynn’s Gone Girl is like Scenes from a Marriage remade by Alfred Hitchcock, an elaborate trap that’s always surprising and full of characters who are entirely recognizable. It’s a love story wrapped in a mystery that asks the eternal question of all good relationships gone bad: How did we get from there to here?”
–ADAM ROSS, New York Times bestselling author of Mr. Peanut --This text refers to the Kindle Edition edition.